A fabulous female saint known also as UNCUMBER, KUMMERNIS, KOMINA, COMERA, CUMERANA, HULFE, ONTCOMMENE, ONTCOMMER, DIGNEFORTIS, EUTROPIA, REGINFLEDIS, LIVRADE, LIBERATA, etc.
The legend makes her a Christian daughter of a pagan King of Portugal. In order to keep her vow of chastity, she prayed God to disfigure her body, that she might evade the command of her father to marry a pagan prince. God caused a beard to grow on her chin, whereupon her father had her crucified. Connected with this legend is the story of a destitute fiddler to whom, when he played before her image (or before her crucified body), she gave one of her golden boots. Being condemned to death for the theft of the boot, he was granted his request to play before her a second time, and, in presence of all, she kicked off her other boot, thus establishing his innocence.
The legend is not a Christian adaptation of the Hermaphroditus of Greek
mythology or of other androgynous myths of pagan antiquity, as it cannot be
traced back further than the fifteenth century. It rather originated from a
misinterpretation of the famous
Volto Santo of Lucca, a representation of the
crucified Saviour, clothed in a long tunic, His eyes wide open, His long hair
falling over His shoulders, and His head covered with a crown. This crucifix,
popularly believed to be the work of Nicodemus, is preserved in the Basilica of
Lucca and highly venerated by the people. In the early Middle Ages it was common
to represent Christ on the cross clothed in a long tunic, and wearing a royal
crown; but since the eleventh century this practice has been discontinued. Thus
it happened that copies of the
Volto Santo of Lucca, spread by pilgrims and
merchants in various parts of Europe, were no longer recognized as
representations of the crucified Saviour, but came to be looked upon as pictures
of a woman who had suffered martyrdom.
The name Wilgefortis is usually derived from Virgo fortis, but recently
Schnürer has shown that Wilgefortis is probably a corruption of Hilge Vartz
(Vartz, Fratz, face),
Holy Face. This would corroborate the opinion that the
legend originated in the
Volto Santo. The old English name Uncumber, as also
the German Oncommer and their equivalents in other languages, rose from the
popular belief that every one who invokes the saint in the hour of death will
die ohne Kummer, without anxiety. When the cult of St. Wilgefortis began to
spread in the fifteenth and sixteenth centuries, her name found its way into
various breviaries and martyrologies. Thus a breviary, printed at Paris for the
Diocese of Salisbury in 1533, has a beautiful metric antiphon and prayer in her
honour. Her feast is celebrated on 20 July. She is usually represented nailed to
a cross: as a girl of ten or twelve years, frequently with a beard, or as
throwing her golden boot to a musician playing before her, sometimes also with
one foot bare.
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